The Theology of Lost….well…sort of

I was going to write something on the theology of Lost, but then Sandra Miesel just published a thorough write up along those very lines.  So I will do the next best thing:  I will write about the theology of a very similar show–one involving the trials of survivors from a crash on an island.  I am speaking of course about Gilligan’s Island.  Now I am not sure if Kevin has ever seen an episode of Gilligan’s Island or not…that seven year difference in our age has made for a few hits and misses in our respective tv experiences, but here goes.  Oh, and by the way I am copying the following from elsewhere–except for the partial Dante thought which is mine!!

“If I described to you a hit television show with deep Christian underpinnings and hidden meanings about a bunch of people being stranded on a strange island which had some audience speculating that the characters were in “Hell,” what show would you say we were discussing?

Gilligan’s Island, of course.

Sherwood Schwartz, the creator of Gilligan’s Island, said he patterned the ’seven stranded castaways’ after the seven deadly sins but he didn’t admit it until years later in his book about the show.

I’m sure you can attribute the sins to the proper characters but here they are:
The Professor – Pride
Thurston Howell III – Greed
Ginger – Lust
Mary Ann – Envy (of Ginger’s looks)
Mrs. Lovey Howell – Gluttony
The Skipper – Anger or wrath
Gilligan – Sloth

Take that LOST!

Some have even speculated that the castaways were in Hell and Gilligan (who always wore red!!!!!) did everything he could to ensure they stayed there making Gilligan Satan.”

And of course, for those who have read Dante–Sloth is considered in his Purgatory to be the most damaging sin since sloth is defective and incomplete Love.  So Gilligan’s embodiment of sloth could work with his representing Satan.

[I actually cannot locate my notes from Dante’s Purgatory off hand, so I will have to add detail later]

–I’m off camping for a few days.  I hope the blog’s one reader doesn’t mind.  Enjoy the videos!

–pio

Not so Lost after all…Heaven is in Hawaii (I knew it all along)

Since almost every scene in Lost‘s six year run was shot in Hawaii–many were wondering where the “church” actually is that served as the “purgatory” for the characters in the “sidewise” “timeline.”

It turns out that an all girls Catholic school, The Sacred Hearts Academy (and its chapel), served as the location of heaven’s antechamber during the final episode of Lost.  Of course, as Jack and his father talked in one room there was a stained glass window behind them that had a virtual cornucopia of religious symbols represented…the fact that several of these symbols (and the faiths they represent) contradict one another is a moot point I suppose.  I wonder if this bizarre window is actually in the school or if the show’s producers added it to make all people feel included (except Ben Linus, lol).  As they said in The Incredibles–“if everyone is special, then no one is special.”  The same holds for Truth in religion, I think, if they’re all True…. 

–pio

Some quick thoughts on Lost

I would like to pose some questions I had about Lost:

1)  where did “mother” come from?  Is she an alien or an artistic embodiment of the White Goddess as I believe she must be?

2) how could she grant immortality to Jacob and his brother the Monster?

3)  what is the source?  What is its relation to the Earth?

4)  Why do we need a new “Jacob”

5)  Why did series not show what happened to final plane (with Miles, Kate, Sawyer) when they went home?

6)  Who are the others?

7)  why was Walt kidnapped?

8)  why were others infertile?

9)  why did others kill all Dharma people?

10)  why did Ben never see Jacob….and why was Ben the leader of the Others?

11)  who was supposed to be good and who bad in the show?

12)  Was Claudia (the real mother of Jacob and the Monster) an early Christian–she spoke Latin and named her son Jacob…a common name among early Christians who would have used Old Testament Saint names for the first few hundred years if naming a child after a saint?)  Of course, St. Claudia is a New Testament name as well….St. Claudia, the mother of St. Linus…I’ve heard that St. Claudia was an exceptionally beautiful saint…the most beautiful of them all.  🙂

If my bro is right then only the sidewise timeline of season 6 was not real, but I would like some answers to these questions.

–Pio

p.s.  it’s good to be back

Lost in Translation

My VERY hastily written two cents:

Well, the day we were all waiting for has come and gone.  Lost’s two and a half hour series finale aired last Sunday.  I want to make a few general comments about the show and I will post several more specific posts about different aspects of the show in the future.  Three things I will blog about later are the significance of the number sequence (4,8,15,16,23,42), the literary allusions in Lost, and the mystical import of the series.

For now…general comments:   I think the first season of Lost is as close to perfection as a television show can be.  Every episode advanced the plot, while at the same time introducing new mysteries.  Every episode revealed new information about the characters through their present actions and through the show’s innovative flashbacks.  I remember my pleasure at watching the first season–it seemed like a 26 hour film–I thought, finally a show that has the quality of a motion picture, but uses the extra length that a television show affords to superb effect.  Every 1st season episode was brilliant (even the Sawyer/boar episode).

The writers and producers of Lost admitted being influenced by The Twilight Zone, which was, in my opinion, the greatest science fiction show of them all.  What made The Twilight Zone so effective was its great writing with its famous surprise endings, but also the advantage that an episodic television show has in being able to continually present the audience with new and innovative plot twists.  Star Trek profited by a similar episodic structure:  each week entailed a new mission and a new adventure.  

The first season of Lost was similar in having new adventures each episode (for the island was mysterious), but also its depiction of strong and well-developed characters that only deepened the more we found out about them.   These early episodes of Lost had the perfect balance of novelty (in its plot) and increasing depth (in its characters).

Lost’s second season began to narrow the show’s focus and solve some of the mysteries of the island.  The writers went in a direction that I certainly would not have, but it was still entertaining and the characters’ lives and natures continued to deepen.  Mr. Eko was a very promising character–a priest that the “monster” seemingly could not attack, but then the actor who portrayed Mr. Eko decided he was tired of the show (specifically tired of filming the show in Hawaii!), so he left it.  Thus, Mr. Eko was retconned to have been a fake priest and the character was killed by the emboldened “monster.”  My favorite second season episode was “Dave,” an insightful psychological drama.

The show’s third season was, in my opinion, a disaster.  Nothing new was really revealed about the characters and the viewers spent twelve episodes watching Jack sitting in an empty aquarium tank.  The simultaneous following of multiple plot lines essentially ended and we were forced to watch either Jack sitting in an aquarium for an ENTIRE episode or to watch something seemingly random and meaningless happen at the beach.  The best episode was “Expose.”  An episode that contained flashbacks to the previous seasons.  Hmmmm.

In seasons four and five I found myself frequently asking what the hell is going on.  The plot unfortunately seemed to have been reduced to different groups of people or even individuals walking back and forth on the Island.  Walking from the beach to the Orchid Station…from the Barracks to the forest…from Jacob’s cabin to the Hydra Island…etc, etc, etc…The flashforwards were interesting and there was some suspense at trying to figure out who the “Oceanic Six” were, but ultimately there seemed little point to six of them getting off the island, only to have them all go right back.  When the freighter people were first mentioned I was interested:  wow, freighter people, cool.  Are they ghosts, aliens, ruthless “others” who will capture the survivors and perform genetic experiments on  them?  None of the above:  they were scientists who were meant to replace the characters who had been killed off already on the show.  😦

Season six began with two plotlines running:  one if the Island had blown up in 1977, and one where it hadn’t.  The parallel plotline (if the Island blew up in 1977) seemed to have completely random changes in the characters’ lives.  It might have been interesting, but it seems they were all really dead in the parallel universe anyway, so it’s almost like it didn’t matter.  “Alliances” between characters switched in every episode and I never understood who any of the new characters were or what they were doing.  Who are the “others”?  They became less powerful, interesting, and well-defined with every passing episode.  Jacob is the Island’s protector, but what is the Island?  Why does it need protecting?  The show had moved away from the Island being a mystery since the second season when the show became about the conflict between the different groups on the Island for control of the Island, for reasons that remain unknown. 

The parallel plotlines of season six had the characters reliving many moments from earlier seasons:  Desmond watches Charlie fall into water, Kate helps Claire give birth, Ben Linus is beaten, etc, etc, etc….I wanted to scream:  “I don’t need to see Claire give birth again; I saw it the first time.” 

 

One of the greatest disappointments for t.v. viewers in the 1980s was the series finale of the hospital drama St. Elsewhere.  In the St. Elsewhere finale, it was revealed that the entire show had been an autistic child’s fantasy.  Viewers were not happy.  People like to think they are watching something real…it aids in our illusion that we are not wasting our time watching t.v. in the first place.

With Lost’s finale, I definitely got the sense that we were to understand the Island as a type of dream-purgatory (although–not a purgatory in harmony with a Christian understanding of the term, but an understanding of purgatory formed from popular psychology).  I think we were supposed to understand the entire series as the dead passengers’ chance to find meaning before they move on to “the light.”  So, then, does the Island represent our subconscious…what we have to make peace with before we move on?  Does it represent our collective unconscious (that might explain the seeming White Goddess imagery used in “Across the Sea”)?  

Hmmm…not a good basis for a t.v. show, in my opinion.  Especially since it seems a little narcissistic for a purgatory to exist for the sake of helping incomplete people to discover their lives’ true meaning and significance:  the Island as psychotherapist.  If this line of thinking is correct then Jacob and “the Monster” would represent different aspects of our unconsciosness…how “archetypical.”

So to summarize…Lost is a show that took its greatest strength (its focus on character) and turned it into its greatest weakness.  While the characters advanced or gained depth in season one and two, they seemed to move in circles by seasons three through six.  Plot became almost non-existant by the series’ end.  The show became a perpetual character study that was perpetuated by events that were illogical from a plot standpoint, but necessary to continue to focus on watching characters interact.  The mysteries of the Island seemed to disappear by season three:  the “others” had no point, the island did not seem to have a point, the Egyptian goddess statue did not have a point, Jacob did not have a point, etc…

I think if the writing had been tighter from the beginning the show would have been much better.  If the writers would have had a clear vision of the story’s overall plot-arc, then some of the inconsistencies and false starts could have been avoided.  Over all–it was an enjoyable series to watch, but I feel it could have been much better.

–pio

The End of Lost: Finding Yourself

Just a quick note on the end of Lost.  I will be posting more later.

The series is finally over, and yes there are still unanswered questions.  However, I would argue they could not reasonably answer every question they raised, and like life Lost was ultimately not so much about answering questions or revealing mysteries, but rather was about finding yourself and understanding your choices.

As Rose tells Jack in the first flash sideways scene on Oceanic 815, “you can let go now”

I think that is good advice that we could all listen to, especially those fans who are upset that the producers decided not to explicitly spell out every mystery in the final episode.

KEM

Under the tongue root, a fight most dread, and another raging behind in the head

(The goddess Taweret, in whose pedestal Jacob lives, is a version of the primeval White Goddess)

The television show Lost is almost over.  Its series finale will air this Sunday (in the U.S.) on all ABC affiliates.

I am still organizing my thoughts on the series, which will be easier to do after the conclusion airs on Sunday.  Kevin and I will be making several posts over the next few weeks summarizing our ideas on what it all meant.

Let me offer some quick initial thoughts as to my impressions of recent episodes.  Specifically, I want to talk about the mythology that might underlie the series:

SPOILERS BELOW:

Concerning Jacob/his brother/their “mother”:

The character of “mother” and her two sons, one dark and one light, remind me of the primordial deity that was worshipped in Europe from the stone age until relatively recent times:  the White Goddess.  The White Goddess had twin sons–the hero and his weird (often depicted as a monster or dragon), one light and one dark–that would engage in an eternal struggle (linked with the changes of the seasons) for the love of their mother/bride.  The White Goddess was a death goddess as well–which would explain some of the things that “mother” was able to do in the episode “Across the Sea.”  The WG was also understood as a goddess of the oceans…hence “mother” ruling on an island, and the island being the setting for the show.  Notice in the Apocalypse of St. John, in the new Heaven and the new Earth there will be no sea. 

I am familiar with the pagan concept of The White Goddess primarily from reading Robert Graves’ book (of the same name) around 20 times when I was between 20 and 24 years of age.  It is a fascinating book and religious concept, but ultimeately…it is a religion based in and on nature.  It lacks the transcendant concepts and goals that Christianity possesses.   

The contrast in Lost is between light and dark…which is not quite the same as between good and evil.

more later……….

–pio